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Pop art and the origins of post-modernism
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ISBN: 9780511497681 9780521791151 0511016247 9780511016240 0511031491 9780511031496 0511497687 0521791154 9780511481031 0511481039 0521791154 1107121477 0511174896 0511046766 0511302452 1280429976 0511154992 Year: 2001 Publisher: Cambridge : Cambridge University Press,

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Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion which is now associated with deconstructive post-modernism. Perceived through these disciplinary lenses, Pop Art arises as not only a reflection of the dominance of mass communications and capitalist consumerism in post-war American society, but also a subversive commentary on worldviews and the factors necessary for their formation.

Image duplicator : Roy Lichtenstein and the emergence of Pop Art
Authors: ---
ISBN: 0300087624 Year: 2002 Volume: *4


Book
The first Pop age : painting and subjectivity in the art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha
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ISBN: 9780691151380 9780691160986 0691151385 Year: 2012 Publisher: Princeton Princeton University Press

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Pop art : a continuing history
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ISBN: 0810937077 9780810937079 Year: 1990 Publisher: [London] Thames and Hudson

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Book
British pop art and postmodernism
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ISBN: 9781443882941 1443882941 9781443875950 1443875953 Year: 2015 Publisher: Newcastle-upon-Tyne

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British Pop Art was seen as an integral, even central, part of social change in the Sixties. It was a movement that developed innovative ways of dealing with reality, both reflecting on and participating in the culture. Its aesthetics was often homogeneous with the industrial, with the mass-produced, and, hence, with the artificial, manufactured character of the urban environment. This discontinuity in the traditional approach towards artistic creation furthered the globalization of diversity, which constitutes the abiding concerns of postmodern art. Drawing from postmodern thought and cultura


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Pop architecture : a sophisticated interpretation of popular culture?
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ISBN: 1854901338 9781854901330 0312081081 9780312081089 Year: 1992 Publisher: London Academy group

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This book is based on the proceedings of the forum of the same name at the Royal Academy of Arts in London, where the participants discussed Popular Architecture and the various notions surrounding it, especially the ideas of "the popular" and "pop art". Speakers included Charles Jencks, Robert Maxwell, Terry Farrell, James Wines, Piers Gough, Geoffrey Broadbent and many other internationally renowned architects and critics. Examples of this kind of architecture are presented, including recent projects by Robert Stern, particularly his work at Euro Disney, the Chiat/Day/Mojo building by Claes Oldenburg and Frank Gehry, and the work of Basil Bayati and Tomas Taveira. There is also an exclusive interview of Robert Venturi and Denise Scott Brown by Robert Maxwell.


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Axelleration : Evelyne Axell 1964-1972 : Ausstellung = exhibition : Mönchengladbach, Museum Abteiberg Mönchengladbach, 03.07-03-10.2011
Authors: --- --- ---
ISBN: 9789020999471 9020999478 Year: 2011 Publisher: Tielt Lannoo


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Pop Art
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ISBN: 060002637X Year: 1970 Publisher: London Hamlyn

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Pierre et Gilles.
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ISBN: 3822893773 Year: 1993 Publisher: Köln Taschen

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Fonds Suzan Daniel (FSD)

Evelyne Axell : from pop art to paradise = le pop art jusqu'au paradis
Authors: --- --- --- --- --- et al.
ISBN: 2850567795 9782850567797 Year: 2004 Publisher: Paris : Namur : Somogy ; Musée provincial Félicien-Rops,

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"L'œuvre d'Evelyne Axell s'inscrit pleinement dans les années soixante, une des plus innovantes de la seconde moitié du XXe siècle. Star étincelante de la culture Pop, comme dit Bernard Ceysson, Axell utilise les images et les couleurs violentes de la publicité, de la mode et du cinéma dans un style et une technique qui n'appartiennent qu'à elle. Sa force de frappe ? Un érotisme agressif qui débouche sur la liberté du plaisir et du choix, et supprime à tout jamais la femme-objet. " Frisson de la vie " pour Pierre Restany, elle disparaît tragiquement en 1972, à 37 ans, dans un accident de voiture." --

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